New Books in Performing Arts

Bradley Morgan’s U2: Until the End of the World (Gemini Books, 2025) celebrates fifty years of U2 with a career-spanning retrospective featuring more than 150 images that trace the band’s journey from Dublin pubs to sold-out arena tours.

Morgan delves into the history of U2, offering an intimate look at their formation and the evolution of their unique sound. From Boy and The Joshua Tree to Achtung Baby and beyond, the book captures how each album marked a creative turning point and cemented U2’s place as musical pioneers. Through vivid photography and thoughtful storytelling, Morgan highlights the band’s artistic growth and commitment to social activism. From Live Aid to Amnesty International, U2’s impact on global causes is as significant as their musical legacy. Readers also gain a rare glimpse into the lives of Bono, The Edge, Adam Clayton, and Larry Mullen Jr., as individuals, collaborators, and lifelong friends behind one of the most influential bands in the world.

A music journalist and media arts professional, Bradley Morgan is the director of CHIRP Radio 107.1 FM’s music film festival, manages partnerships for the station, and serves on the associate board of the Art Institute of Chicago’s Gene Siskel Film Center. He also interviews authors of music and pop culture books for the New Books Network.
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Peoples & Things host, Lee Vinsel, talks with Whitney Laemmli, Assistant Professor in the Department of Social Science and Cultural Studies at the Pratt Institute, about her forthcoming book, Making Movement Modern: Science, Politics, and the Body in Motion. The book traces a technique for visualizing human movement, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. In this way, Making Movement Modern provides a beautiful example of following an object of study into many different, surprising, and unexpected worlds. The pair also discuss one of Laemmli’s new projects, which examines the history of Western ideas and theories that memory might be stored not only in brains but also in bodies.
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Only 35 years old, Taylor Swift has already had a long career and is a pop culture icon. Her music and career are reported on by the world’s press, and her most devoted fans dissect her every move looking for hidden meanings and clues about her next album and her life. Taylor Swift: The Star, The Songs, The Fans (Routledge, 2025) edited by Christa Anne Bentley, Kate Galloway, and Paula Clare Harper positions Swift as a prismatic figure for the musical world of the 21st century. Necessarily a first look at Swift’s career and songs since she presumably has many more years to make music, the authors in this collection analyze Swift’s songs and vocal choices, how she negotiates the fraught politics around her identity, and how fans and others understand her and her music. Including contributions by scholars, practitioners, and journalists, this book offers a serious consideration of one of today’s most popular music stars that shows why and how she matters.
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Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With A Movement's Promise: The Making of Contemporary Palestinian Theater (Stanford UP, 2025), Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation.

The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.

Samer Al-Saber is Assistant Professor of Theatre at Williams College.
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The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.
In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
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